| Extramuros: making music in a browser-based, language-neutral collaborative live coding environment D Ogborn, E Tsabary, I Jarvis, A Cárdenas, A McLean Proceedings of the first international conference on live coding, 163-69, 2015 | 24 | 2015 |
| Estuary: Browser-based collaborative projectional live coding of musical patterns D Ogborn, J Beverley, LN del Angel, E Tsabary, A McLean, E Betancur International Conference on Live Coding (ICLC) 2017, 2017 | 23 | 2017 |
| Music education through innovation: The concordia laptop orchestra as a model for transformational education E Tsabary INTED2014 proceedings, 657-664, 2014 | 17 | 2014 |
| Which aural skills are necessary for composing, performing and understanding electroacoustic music, and to what extent are they teachable by traditional aural training? E Tsabary Organised Sound 14 (3), 299-309, 2009 | 16 | 2009 |
| The aural skills acquisition process of undergraduate electroacoustic (EA) music majors in the context of a new aural learning method E Tsabary Boston University, 2013 | 9 | 2013 |
| Improvisation as an evolutionary force in laptop orchestra culture E Tsabary Critical Studies in Improvisation/Études critiques en improvisation 11 (1-2), 2016 | 8 | 2016 |
| Aural atoms and structures: From electroacoustic ear training to analysis and back again E Tsabary Electroacoustic Music Studies Network Conference: The Art of Electroacoustic …, 2015 | 5 | 2015 |
| “Whatever Works”: an Action-Centred Approach to Creation and Mediation in Designing Laptop Orchestra Performances E Tsabary, J Woollard Gli spazi della musica 3 (2), 2014 | 5 | 2014 |
| Electroacoustic ear training E Tsabary 2012). Sound musicianship: Understanding the crafts of music, 292-301, 2012 | 5 | 2012 |
| Inner Ear: A tool for individualizing sound-focused aural skill acquisition E Tsabary, D Savage, D Ogborn, C Beckett, A Szigetvári, J Beverley, ... Journal of Music, Technology & Education 12 (3), 261-278, 2019 | 3 | 2019 |
| Random walks on Neo-Riemannian spaces: Towards generative transformations P Nguyen, E Tsabary Ai music creativity, 2022 | 2 | 2022 |
| SuperContinent: Global, collective live coding improvisation C Betancur, A Khoparzi, S Knotts, M Laubscher, M Marie, D Ogborn, ... NIME 2021, 2021 | 2 | 2021 |
| Stabilizing and Destabilizing Agents in Laptop Orchestra Improvisation E Tsabary Les Cahiers de la Société québécoise de recherche en musique 17 (1), 39-49, 2016 | 2 | 2016 |
| Towards Deconstructivist Music: Reconstruction paradoxes, neural networks, concatenative synthesis and automated orchestration in the creative process P Nguyen, E Tsabary Organised Sound, 1-12, 0 | 1 | |
| The aesthetics of deconstruction: neural synthesis of transformation matrices using GANs on multichannel polyphonic MIDI data P Nguyen, E Tsabary Journal of New Music Research, 1-18, 2024 | | 2024 |
| Whatever Works E Tsabary, J WOOLLARD | | |
| Negotiating Shared Live Coding Practices in SuperContinent, an Online Laptop Ensemble S Knotts, C Betancur, A Khoparzi, M Laubscher, M Marie, D Ogborn, ... | | |
| PROMOTING SINGING AND MUSIC LITERACY L Muntean, S Weidenfeld, M Koren, E Tsabary | | |
Alex McLeanThen Try ThisBestätigte E-Mail-Adresse bei thentrythis.org
