Joren Six
Joren Six
Researcher at University Ghent, IPEM
Bestätigte E-Mail-Adresse bei - Startseite
TitelZitiert vonJahr
TarsosDSP, a Real-Time Audio Processing Framework in Java
J Six, O Cornelis, M Leman
Proceedings of the 53 rd AES Conference - 53rd AES Conference, 2014
Panako: a scalable acoustic fingerprinting system handling time-scale and pitch modification
J Six, M Leman
15th International Society for Music Information Retrieval Conference (ISMIR …, 2014
Tarsos: a platform to explore pitch scales in non-western and western music
J Six, O Cornelis
12th International Society for Music Information Retrieval Conference (ISMIR …, 2011
Tarsos, a modular platform for precise pitch analysis of Western and non-Western music
J Six, O Cornelis, M Leman
Journal of New Music Research 42 (2), 113-129, 2013
Adopting a music-to-heart rate alignment strategy to measure the impact of music and its tempo on human heart rate
E Van Dyck, J Six, E Soyer, M Denys, I Bardijn, M Leman
Musicae Scientiae 21 (4), 390-404, 2017
Synchronizing multimodal recordings using audio-to-audio alignment
J Six, M Leman
Journal on Multimodal User Interfaces 9 (3), 223-229, 2015
Evaluation and recommendation of pulse and tempo annotation in ethnic music
O Cornelis, J Six, A Holzapfel, M Leman
Journal of New Music Research 42 (2), 131-149, 2013
A robust audio fingerprinter based on pitch class histograms applications for ethnic music archives
J Six, O Cornelis
Congreso Las fronteras entre los géneros. Flamenco y otras músicas de …, 2012
Automatic analysis of global music recordings suggests scale tuning universals
MJ Ho, S Sato, J Kuroyanagi, J Six, S Brown, S Fujii, PE Savage
19th International Society for Music Information Retrieval Conference, 2018
MIRchiving: Challenges and opportunities of connecting MIR research and digital music archives
R De Valk, A Volk, A Holzapfel, A Pikrakis, N Kroher, J Six
Proceedings of the 4th International Workshop on Digital Libraries for …, 2017
Embodied, participatory sense-making in digitally-augmented music practices: theoretical principles and the artistic case “SoundBikes”
PJ Maes, V Lorenzoni, B Moens, J Six, F Bressan, I Schepers, M Leman
Critical Arts 32 (3), 77-94, 2018
Automatic comparison of human music, speech, and bird song suggests uniqueness of human scales
J Kuroyanagi, S Sato, MJ Ho, G Chiba, J Six, P Pfordresher, A Tierney, ...
9th Folk Music Analysis Conference, 2019
Applications of duplicate detection in music archives: from metadata comparison to storage optimisation
J Six, F Bressan, M Leman
Italian Research Conference on Digital Libraries, 101-113, 2018
Computer-assisted transcription of ethnic music
J Six, O Cornelis
3th International Workshop on Folk Music Analysis, Amsterdam, Netherlands, 71-72, 2013
Validity and reliability of peak tibial accelerations as real-time measure of impact loading during over-ground rearfoot running at different speeds
P Van den Berghe, J Six, J Gerlo, M Leman, D De Clercq
Journal of biomechanics 86, 238-242, 2019
The deep history of music project
A Leroi, M Mauch, P Savage, E Benetos, J Bello, J Six, T Weyde, ...
5th International Workshop On Folk Music Analysis, 83-84, 2015
Automatic comparison of global children’s and adult songs supports a sensorimotor hypothesis for the origin of musical scales
S Sato, J Six, P Pfordresher, S Fujii, PE Savage
PsyArXiv, 2019
Beyond documentation–The digital philology of interaction heritage
M Leman, J Six
Journal of New Music Research 47 (4), 309-320, 2018
Engineering systematic musicology: methods and services for computational and empirical music research
J Six
Ghent University, 2018
SoundBikes-A music installation for participatory music-making
PJ Maes, V Lorenzoni, B Moens, I Schepers, J Six, F Bressan, M Leman
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