| Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde G Born Univ of California Press, 2023 | 947 | 2023 |
| Uncertain vision: Birt, Dyke and the reinvention of the BBC G Born Random House, 2011 | 906 | 2011 |
| Logics of interdisciplinarity A Barry, G Born, G Weszkalnys Economy and society 37 (1), 20-49, 2008 | 872 | 2008 |
| Western music and its others: Difference, representation, and appropriation in music G Born, D Hesmondhalgh Univ of California Press, 2000 | 859 | 2000 |
| On musical mediation: Ontology, technology and creativity G Born Twentieth-century music 2 (1), 7-36, 2005 | 607 | 2005 |
| Interdisciplinarity: reconfigurations of the social and natural sciences A Barry, G Born Interdisciplinarity, 1-56, 2013 | 501 | 2013 |
| Music, sound and space: Transformations of public and private experience G Born Cambridge University Press, 2013 | 444 | 2013 |
| Music and the materialization of identities G Born Journal of Material Culture 16 (4), 376-388, 2011 | 430 | 2011 |
| The social and the aesthetic: For a post-Bourdieuian theory of cultural production G Born Cultural Sociology 4 (2), 171-208, 2010 | 390 | 2010 |
| For a relational musicology: music and interdisciplinarity, beyond the practice turn: the 2007 dent medal address G Born Journal of the Royal Musical Association 135 (2), 205-243, 2010 | 335 | 2010 |
| Introduction: on difference, representation and appropriation in music G Born, D Hesmondhalgh University of California Press, 2000 | 271 | 2000 |
| Art-science: From public understanding to public experiment G Born, A Barry Journal of Cultural Economy 3 (1), 103-119, 2010 | 231 | 2010 |
| Music technology, gender, and class: Digitization, educational and social change in Britain G Born, K Devine Twentieth-Century Music 12 (2), 135-172, 2015 | 187 | 2015 |
| Culture and consumerism: Citizenship, public service broadcasting and the BBC’s fair trading obligations G Born, T Prosser The Modern Law Review 64 (5), 657-687, 2001 | 184 | 2001 |
| Strategy, positioning and projection in digital television: Channel Four and the commercialization of public service broadcasting in the UK G Born Media, Culture & Society 25 (6), 774-799, 2003 | 140 | 2003 |
| Improvisation and social aesthetics G Born, E Lewis, W Straw Duke University Press, 2017 | 132 | 2017 |
| Rationalizing culture: IRCAM G Born Boulez, and the Institutionalization of the, 1995 | 129 | 1995 |
| David Hesmondhalgh, eds. 2000 G Born Western music and its others: Difference, representation, and appropriation …, 0 | 119 | |
| Music and the Social G Born The cultural study of music, 261-274, 2012 | 107 | 2012 |
| Listening, mediation, event: Anthropological and sociological perspectives G Born Journal of the Royal Musical Association 135 (S1), 79-89, 2010 | 103 | 2010 |
