| The ‘Continuous Exposition’and the Concept of Subordinate Theme WE Caplin, NJ Martin Music Analysis 35 (1), 4-43, 2016 | 39 | 2016 |
| Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet NJ Martin, S Vande Moortele Music Analysis 33 (2), 130-155, 2014 | 38 | 2014 |
| The Tristan chord resolved N Martin Intersections 28 (2), 6-30, 2008 | 29 | 2008 |
| Schumann's Fragment NJ Martin Indiana Theory Review 28 (1/2), 85-109, 2010 | 26 | 2010 |
| Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno SV Moortele, J Pedneault-Deslauriers, NJ Martin Boydell & Brewer, 2015 | 25 | 2015 |
| Rameau’s changing views on supposition and suspension NJ Martin Journal of Music Theory 56 (2), 121-167, 2012 | 18 | 2012 |
| Rameau and Rousseau: harmony and history in the age of Reason N Martin McGill University, 2008 | 18 | 2008 |
| Mozart’s Sonata-Form Arias NJ Martin Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno …, 2015 | 14 | 2015 |
| The Mozartean half cadence NJ Martin, J Pedneault-Deslauriers What is a Cadence, 185-213, 2015 | 11 | 2015 |
| Formenlehre goes to the opera: Examples from Armida and elsewhere N Martin Studia musicologica 51 (3-4), 387-404, 2010 | 11 | 2010 |
| Rousseau’s ‘Emile’and educational legacy J Martin, N Martin The SAGE handbook of philosophy of education, 85-98, 2010 | 9 | 2010 |
| Interpersonal early adversity demonstrates dissimilarity from early socioeconomic disadvantage in the course of human brain development: A meta-analysis. A Vannucci, A Fields, E Hansen, A Katz, J Kerwin, A Tachida, N Martin, ... Neuroscience & Biobehavioral Reviews, 105210, 2023 | 6 | 2023 |
| Larsen's Legacy: The Three-Part Exposition and the New Formenlehre NJ Martin HAYDN: Online Journal of the Haydn Society of North America 4 (2), 2, 2014 | 4 | 2014 |
| Iphigénie à Paris: Gluck and the Philosophes N Martin university of toronto quarterly 81 (4), 860-876, 2012 | 4 | 2012 |
| Rousseau's Air Chinois NJ Martin Eighteenth-Century Music 18 (1), 41-64, 2021 | 3 | 2021 |
| Les planches de musique de l’Encyclopédie: un manuscrit méconnu de Rousseau et ses enjeux ethnographiques N Martin Recherches sur Diderot et sur l'Encyclopédie, 169-190, 2013 | 3 | 2013 |
| Rousseau, Rameau, and the" leçons de musique" N Martin theoria, 2018 | 2 | 2018 |
| Saint-Saëns's Cyclic Forms A Deruchie, SV Moortele, JP Deslauriers, N Martin Formal Functions in Perspective, 2015 | 2 | 2015 |
| Optimisation of a Drying Process in a Rotary Dryer for Mineral Materials ES Hansen, B Nielsen, JB Rasmussen, N Martin US Patent App. 13/127,781, 2011 | 2 | 2011 |
| Silent Representation and the Representation of Silence: Music and Pantomime in Rousseau NJ Martin Silence, Implicite et Non-Dit chez Rousseau/Silence, the Implicit and the …, 2020 | 1 | 2020 |
Steven Vande MoorteleProfessor of Music Theory, University of TorontoVerified email at utoronto.ca
