Folgen
Enrique Tomás
Enrique Tomás
Tangible Music Lab, University of Art and Design Linz, Austria
Bestätigte E-Mail-Adresse bei ufg.at - Startseite
Titel
Zitiert von
Zitiert von
Jahr
Tangible Scores: Shaping the Inherent Instrument Score.
E Tomás, M Kaltenbrunner
Proceedings of NIME 2014, New Interfaces for Musical Expression Conference …, 2014
252014
MUSICAL INSTRUMENTS AS SCORES: A HYBRID APPROACH
E Tomás
Proceedings of TENOR 2016, INTERNATIONAL CONFERENCE ON TECHNOLOGIES FOR …, 2016
92016
How The Arts Can Help Tangible Interaction Design: A Critical Re-Orientation
E Tomás
Informatics 2017 4 (31), 2017
52017
A Playful Approach to Teaching NIME: Pedagogical Methods from a Practice-Based Perspective
E Tomás
NIME´20 July 21-25, 2020, Royal Birmingham Conservatoire, Birmingham City …, 2020
42020
Diffractive Interfaces: la difracción como metodología de investigación artística
AB Gonçalves, LB Valero, U Brandstätter, CE Revilla, F Lamoncha, P Pin, ...
Artnodes: revista de arte, ciencia y tecnología, 85-100, 2017
42017
Tangible Scores
E Tomás
Proceedings of the TEI'16: Tenth International Conference on Tangible …, 2016
42016
Creatividad y Recursión en la creación
E Tomás
España 4 (4), 2007
42007
Material embodiments of electroacoustic music: an experimental workshop study.
E Tomás, T Gorbach, H Tellioglu, M Kaltenbrunner
New Interfaces for Musical Expression 2019, Porto Alegre, Brazil., 1-6, 2019
22019
Politics of Musical Interfaces: Ideologies and Digital Disenchantment
E Tomás
Proceedings of the First International Conference on Interface Politics …, 2016
22016
Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces
E Tomás, T Gorbach, H Tellioglu, M Kaltenbrunner
New Interfaces for Musical Expression (NIME) 2021, NYU, Shanghai, China., 2021
12021
Diffractive interfaces: Diffraction as an artistic research methodology
A Belsunces, L Benitez Valero, U Brandstatter, C Escudero, F Lamoncha, ...
Artnodes, 85-100, 2017
12017
Embodied gestures
E Tomás, T Gorbach, H Tellioglu, M Kaltenbrunner
TU Wien Academic Press, 2022
2022
Bend-Rotation Nr. 3: Improvisation for Embodied Gestures Instruments
E Tomás, T Gorbach
NIME 2021, 2021
2021
The Interface-Score: Electronic Musical Interface Design as Embodiment of Performance and Composition
E Tomás
University of Art and Design of Linz, 2018
2018
Schallmauer: Composing Tactile Sound for the Solid Medium
M Kaltenbrunner, E Tomás
6th Conference on Computation, Communication, Aesthetics & XMadrid, Spain, 47-54, 2018
2018
Collaborative Design Methods towards Evaluation of a Tangible Interface
V Goudarzi, E Tomás, AM Gioti
International Conference on Live Interfaces (ICLI) 2018, Porto, Portugal., 2018
2018
Demo hour
M Mosher, D Tinapple, E Tomas, K Konno, R Owaki, Y Onishi, R Kanda, ...
Interactions 23 (3), 8-11, 2016
2016
Das System kann den Vorgang jetzt nicht ausführen. Versuchen Sie es später erneut.
Artikel 1–17