Kate sharpe
Kate sharpe
Verified email at durham.ac.uk
Cited by
Cited by
3D laser scanning for recording and monitoring rock art erosion
T Barnett, A Chalmers, M Díaz-Andreu, PW Longhurst, GJ Ellis, K Sharpe, ...
International newsletter on rock art 41, 25-29, 2005
Digital rock art recording: visualising petroglyphs using 3D laser scanner data
I Trinks, M Díaz-Andreu, R Hobbs, KE Sharpe
Advancing large-scale high-resolution near-surface geophysical prospection, 207, 2005
Situating cultural technologies outdoors: Empathy in the design of mobile interpretation of rock art in rural Britain
A Galani, A Mazel, D Maxwell, K Sharpe
Visual heritage in the digital age, 183-204, 2013
‘I want to be provoked’: public involvement in the development of the Northumberland Rock Art on Mobile Phones project
A Mazel, A Galani, D Maxwell, K Sharpe
World Archaeology 44 (4), 592-611, 2012
‘Are You Local?’Indigenous Iron Age and Mobile Roman and Post-Roman Populations: Then, Now and In-between
R Hingley, C Bonacchi, K Sharpe
Britannia 49, 283-302, 2018
England's Rock Art: The Prehistoric Rock Art of England: Recording, Managing and Enjoying Our Carved Heritage
KE Sharpe, T Barnett, S Rushton
English Heritiage, 2008
Rock-art and roughouts: Exploring the sacred and social dimensions of prehistoric carvings at Copt Howe, Cumbria
KE Sharpe, A Mazel, G Nash, C Waddington
Art as Metaphor: the prehistoric rock-art of Britain, 151-174, 2007
Long Meg: rock art recording using 3D laser scanning.
M Diaz-Andreu, R Hobbs, N Rosser, K Sharpe, I Trinks
Past: the newsletter of the Prehistoric Society., 2-6, 2005
Carving a future for British rock art: New directions for research, management and presentation
T Barnett, K Sharp
Moving images: interpreting the Copt Howe petroglyphs
K Sharpe, A Watson, T Barnett
Carving a Future for British Rock Art: New Directions for Research …, 2010
Motifs, monuments and mountains: prehistoric rock art in the Cumbrian landscape
K Sharpe
Durham University, 2007
Situating cultural technologies outdoors: designing for mobile interpretation of rock art in rural Britain
A Galani, D Maxwell, AD Mazel, K Sharpe
Museums and the Web 2011: Proceedings (eds J. Trant and D. Bearman). Toronto …, 2011
Hopkins W, Emslie KR, Howe C, Trout GJ, Kazlauskas R, Ashenden MJ, Gore CJ, Parisotto R, and Hahn AG
K Sharpe
Development of reference ranges in elite athletes for markers of altered …, 2002
Connecting the dots. Cupules and communication in the English Lake District.
KE Sharpe
Expression. 9, 109-116, 2015
Pride and Prejudice: the challenges of conserving and managing rock-art in the landscape of northern England, United Kingdom, through public participation
KE Sharpe
Open-Air Rock-Art Conservation and Management, 73-89, 2014
Breaking Through Rock Art Recording: Three-Dimensional Laser Scanning of Prehistoric Rock Art
T Barnett, A Chalmers, M Díaz-Andreu, G Ellis, R Gillibrand, P Longhurst, ...
The 5th International Symposium on Virtual Reality, Archaeology and Cultural …, 2004
Who painted that? The authorship of Schematic rock art at the Los Machos rockshelter in southern Iberia
F Martínez-Sevilla, M Arqués, X Jordana, A Malgosa, JAL Rodríguez, ...
Antiquity 94 (377), 1133-1151, 2020
Pride and Prejudice 4
KE Sharpe
Open-Air Rock-Art Conservation and Management: State of the Art and Future …, 2014
Alfred Gell, Art and Agency: an Anthropological Theory.(Oxford: Clarendon Press, 1998, 271 pp., pbk, ISBN 0 19 828014 9)
K Sharpe
European Journal of Archaeology 7 (2), 209-213, 2004
Vivien Deacon. 2020. The rock-art landscapes of Rombalds Moor, West Yorkshire: standing on holy ground. Oxford: Archaeopress; 978-1-7896-9459-8 ebook£ 16.
K Sharpe
Antiquity 95 (382), 1091-1093, 2021
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