Paul Silvia
Cited by
Cited by
For whom the mind wanders, and when: An experience-sampling study of working memory and executive control in daily life
MJ Kane, LH Brown, JC McVay, PJ Silvia, I Myin-Germeys, TR Kwapil
Psychological science 18 (7), 614-621, 2007
Exploring the psychology of interest
PJ Silvia
Psychology of Human Motivation, 2006
Interest—The curious emotion
PJ Silvia
Current directions in psychological science 17 (1), 57-60, 2008
Assessing creativity with divergent thinking tasks: exploring the reliability and validity of new subjective scoring methods.
PJ Silvia, BP Winterstein, JT Willse, CM Barona, JT Cram, KI Hess, ...
Psychology of Aesthetics, Creativity, and the Arts 2 (2), 68, 2008
Creative cognition and brain network dynamics
RE Beaty, M Benedek, PJ Silvia, DL Schacter
Trends in cognitive sciences 20 (2), 87-95, 2016
The curiosity and exploration inventory-II: Development, factor structure, and psychometrics
TB Kashdan, MW Gallagher, PJ Silvia, BP Winterstein, WE Breen, ...
Journal of research in personality 43 (6), 987-998, 2009
What is interesting? Exploring the appraisal structure of interest.
PJ Silvia
Emotion 5 (1), 89, 2005
Are intelligence and creativity really so different? Fluid intelligence, executive processes, and strategy use in divergent thinking
EC Nusbaum, PJ Silvia
Intelligence, 2010
Robust prediction of individual creative ability from brain functional connectivity
RE Beaty, YN Kenett, AP Christensen, MD Rosenberg, M Benedek, ...
Proceedings of the National Academy of Sciences 115 (5), 1087-1092, 2018
Objective self-awareness theory: Recent progress and enduring problems
PJ Silvia, TS Duval
Personality and social psychology review 5 (3), 230-241, 2001
How to write a lot: A practical guide to productive academic writing
PJ Silvia
American Psychological Association, 2018
Default and executive network coupling supports creative idea production
RE Beaty, M Benedek, S Barry Kaufman, PJ Silvia
Scientific reports 5 (1), 10964, 2015
Why do ideas get more creative across time? An executive interpretation of the serial order effect in divergent thinking tasks.
RE Beaty, PJ Silvia
Psychology of aesthetics, creativity, and the arts 6 (4), 309, 2012
Emotional responses to art: From collation and arousal to cognition and emotion
PJ Silvia
Review of general psychology 9 (4), 342-357, 2005
Creativity and the default network: A functional connectivity analysis of the creative brain at rest
RE Beaty, M Benedek, RW Wilkins, E Jauk, A Fink, PJ Silvia, DA Hodges, ...
Neuropsychologia 64, 92-98, 2014
Curiosity and interest: The benefits of thriving on novelty and challenge
TB Kashdan, PJ Silvia
Oxford handbook of positive psychology 2, 367-374, 2009
Openness to experience, plasticity, and creativity: Exploring lower-order, high-order, and interactive effects
PJ Silvia, EC Nusbaum, C Berg, C Martin, A O’Connor
Journal of Research in Personality 43 (6), 1087-1090, 2009
The dimensional structure of the Wisconsin schizotypy scales: Factor identification and construct validity
TR Kwapil, N Barrantes-Vidal, PJ Silvia
Schizophrenia bulletin 34 (3), 444-457, 2008
Assessing creativity with self-report scales: A review and empirical evaluation.
PJ Silvia, B Wigert, R Reiter-Palmon, JC Kaufman
Psychology of Aesthetics, Creativity, and the Arts 6 (1), 19, 2012
The roles of associative and executive processes in creative cognition
RE Beaty, PJ Silvia, EC Nusbaum, E Jauk, M Benedek
Memory & cognition 42, 1186-1197, 2014
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