| Dancing with devtas: Drums, power and possession in the music of Garhwal, North India A Alter Routledge, 2016 | 46 | 2016 |
| Gurus, shishyas and educators: Adaptive strategies in post-colonial North Indian music institutions A Alter Music\= Cultures in Contact, 158-168, 2014 | 18 | 2014 |
| Garhwali bagpipes: Syncretic processes in a North Indian regional musical tradition A Alter Asian music 29 (1), 1-16, 1997 | 12 | 1997 |
| Institutional music education: Northern area AB Alter The Garland encyclopedia of world music, 442-448, 2017 | 10 | 2017 |
| Mountainous sound Spaces: listening to history and music in the Uttarakhand Himalayas A Alter Foundation Books, 2014 | 10 | 2014 |
| The significance of tantric sects for drum practice in the central Himalayas A Alter Yearbook for Traditional Music 41, 187-198, 2009 | 8 | 2009 |
| Ḍhol Sāgar: Aspects of drum knowledge amongst musicians in Garhwal, North India A Alter European Bullettin of Himalayan Research 24, 63-76, 2003 | 8 | 2003 |
| Key processes in the oral transmission of Hindustani vocal music A Alter Musicology Australia 20 (1), 61-83, 1997 | 7 | 1997 |
| Controlling Time in Epic Performances: An Examination of Mahābhārata Performance in the Central Himalayas and Indonesia A Alter Ethnomusicology Forum 20 (1), 57-78, 2011 | 6 | 2011 |
| Negotiating identity in the Garhwali popular cassette industry AB Alter South Asia: Journal of South Asian Studies 21 (1), 109-122, 1998 | 6 | 1998 |
| Dancing the gods: power and meaning in the music of Garhwal, North India AB Alter Monash University, 2000 | 5 | 2000 |
| Recasting Lok and Folk in Uttarakhand: Etymologies, Religion and Regional Musical Practice A Alter South Asia: Journal of South Asian Studies 41 (2), 483-492, 2018 | 4 | 2018 |
| National Spaces and Global Imagination:‘Ethiopian Sounds’ around the World and in Australia A Alter Musicology Australia 39 (1), 15-28, 2017 | 4 | 2017 |
| Expressing sonic theology: understanding ritual action in a Himalayan festival A Alter Ethnomusicology Forum 28 (3), 321-337, 2019 | 3 | 2019 |
| Guitar Style, Open Tunings and Stringband Music in Papua New Guinea DC Crowdy, D Goldsworthy, A Alter | 3 | 2001 |
| Introduction: popular music across the himalayas N Dinnerstein, A Alter HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies 38 …, 2018 | 2 | 2018 |
| Playing history: music's agency in the creation of historical and sacred realms during a central Himalayan festival A Alter South Asia: Journal of South Asian Studies 27 (3), 359-377, 2004 | 2 | 2004 |
| All the King’s Horses, All the King’s Elephants: The Fates of Royal Animals in Nepal’s Post-Monarchy Period A Mocko, S Barnhart HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies 38 …, 2018 | 1 | 2018 |
| Encoding Spatial Experience in Garhwali Popular Music Cassettes AB Alter HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies 38 …, 2018 | 1 | 2018 |
| Nordic Confluences: Interpreting the Socio-Cultural Narratives of Nordic Confluent Jazz Music D Rorke, J Shaw, JS Ryan, A Alter | 1 | 2013 |
