| Off the Charts: The implications of incorporating streaming data into the charts S Collins, P O'Grady Networked Music Cultures: Contemporary Approaches, Emerging Issues, 2016 | 10 | 2016 |
| Sound City and music from the outskirts: the de-democratisation of pop music production P O’Grady Creative Industries Journal 14 (3), 211-225, 2021 | 7 | 2021 |
| The master of mystery: Technology, legitimacy and status in audio mastering P O’Grady Journal of Popular Music Studies 31 (2), 147-164, 2019 | 5 | 2019 |
| The Politics of Digitizing Analogue Recording Technologies P O'Grady Perspectives On Music Production: Producing Music, 2019 | 4 | 2019 |
| ‘An essential tool for creativity’: technologies, spaces and discourse within pop music production P O’Grady Media International Australia 186 (1), 136-148, 2023 | 3 | 2023 |
| Rethinking criticism about lossy compression: Sound fidelity, large-scale production and audio capital in pop music P O’Grady Convergence 27 (4), 1075-1091, 2021 | 3 | 2021 |
| Disrupted Flow in the Studio P O'Grady Shifting Sounds: Musical Flow: A Collection of Papers from the 2012 IASPM …, 2013 | 2 | 2013 |
| ‘Under the Cover of Darkness’: Situating ‘Covers Gigs’ within Live Music Ecologies P O'Grady Researching Live Music: Gigs, Tours, Concerts and Festivals, 44-55, 2021 | 1 | 2021 |
| Latent Elements in Pop Music Production P O'Grady Popular Music and Society 41 (5), http://dx.doi.org/10.1080/03007766.2017., 2018 | 1 | 2018 |
| ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia P O'Grady Perfect Beat 18 (1), 2017 | 1 | 2017 |
| Studio Hubs: Changing Recording Environments P O'Grady Communities, Places, Ecologies: Proceedings of the 2013 IASPM-ANZ Conference …, 2014 | 1 | 2014 |
| Part 6. Identity and Discourse." It's our version of Almost Famous": Towards a Reimagined Canon of Rock Criticism/Kimberly Mack; Limits of the Literary: Rethinking Allusions in … P O'Grady | | 2022 |
| “Everyday Fidelity”: Analyzing Sound Quality in Ubiquitous Listening Practices P O'Grady Popular Music and Society, 2022 | | 2022 |
| The Limits of Literary: Rethinking Allusions in Pop Music. P O'Grady Lit-Rock: Literary Capital in Popular Music., 2022 | | 2022 |
| Making mirrors, making albums and making documentaries: the music of Gotye and negotiating Bourdieu’s field of cultural production P O'Grady Popular Music 39 (3-4), 669-684, 2020 | | 2020 |
| The analogue divide: interpreting attitudes towards recording media in pop music practice P O’Grady Continuum 33 (4), 446-459, 2019 | | 2019 |
| The Art of Record Production: An Introductory Reader for a New Academic Field (eds. Simon Frith and Simon Zagorski-Thomas) P O'Grady Dancecult: Journal of Electronic Dance Music Culture, 78-80, 2013 | | 2013 |
| The Art of Record Production: An Introductory Reader for a New Academic Field P O’Grady | | |
