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Simon Høffding
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Cited by
Year
Framing a phenomenological interview: what, why and how
S Høffding, K Martiny
Phenomenology and the Cognitive Sciences 15, 539-564, 2016
3742016
Playing together without communicating
A Schiavio, S Høffding
A pre-reflective and enactive account of joint musical performance, 2015
157*2015
A phenomenology of musical absorption
S Høffding
Springer, 2019
1182019
The epistemic status of intelligence: An epistemological contribution to the understanding of intelligence
K Vrist Rønn, S Høffding
Intelligence and National Security 28 (5), 694-716, 2013
652013
Putting plural self-awareness into practice: the phenomenology of expert musicianship
A Salice, S Høffding, S Gallagher
Topoi 38, 197-209, 2019
602019
Framing a phenomenological mixed method: from inspiration to guidance
KM Martiny, J Toro
Frontiers in Psychology 12, 602081, 2021
482021
Interactive expertise in solo and joint musical performance
S Høffding, G Satne
Synthese 198 (Suppl 1), 427-445, 2021
412021
What is skilled coping?: Experts on expertise
S Hoffding
Journal of Consciousness Studies 21 (9-10), 49-73, 2014
372014
The promise of ‘sporting bodies’ in phenomenological thinking–how exceptional cases of practice can contribute to develop foundational phenomenological concepts
S Ravn, S Høffding
Qualitative research in sport, exercise and health 9 (1), 56-68, 2017
342017
Can we trust the phenomenological interview? Metaphysical, epistemological, and methodological objections
S Høffding, K Martiny, A Roepstorff
Phenomenology and the Cognitive Sciences 21 (1), 33-51, 2022
332022
Improvisation and thinking in movement: an enactivist analysis of agency in artistic practices
S Ravn, S Høffding
Phenomenology and the Cognitive Sciences 21 (3), 515-537, 2022
272022
A phenomenology of expert musicianship
S Høffding
272015
Exploratory expertise and the dual intentionality of music-making
S Høffding, A Schiavio
Phenomenology and the Cognitive Sciences 20 (5), 811-829, 2021
242021
Participation and receptivity in the art museum–A phenomenological exposition
S Høffding, M Rung, T Roald
Curator: The Museum Journal 63 (1), 69-81, 2020
192020
Passivity in Aesthetic Experience: Husserlian and Enactive Perspectives
T Høffding, Simon & Roald
Journal of Aesthetics and Phenomenology 6 (1), 1-20, 2019
192019
Move like everyone is watching: Social context affects head motion and gaze in string quartet performance
L Bishop, V Gonzalez Sanchez, B Laeng, AR Jensenius, S Høffding
Journal of New Music Research 50 (4), 392-412, 2021
162021
Working with others’ experience
S Høffding, K Heimann, K Martiny
Phenomenology and the Cognitive Sciences 22 (1), 1-24, 2023
152023
Inner and Outer ears: enacting agential systems in music improvisation
S Høffding, T Snekkestad
Philosophy of Improvisation, 161-182, 2021
102021
Into the hive-mind: Shared absorption and cardiac interrelations in expert and student string quartets
S Høffding, W Yi, E Lippert, VG Sanchez, L Bishop, B Laeng, A Danielsen, ...
Music & Science 6, 20592043231168597, 2023
72023
Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice
S Ravn, S Høffding, J McGuirk
Routledge, 2021
72021
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Articles 1–20