Hauke Egermann
Hauke Egermann
York Music Psychology Group, Department of Music, University of York
Bestätigte E-Mail-Adresse bei york.ac.uk - Startseite
TitelZitiert vonJahr
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music
H Egermann, MT Pearce, GA Wiggins, S McAdams
Cognitive, Affective, & Behavioral Neuroscience 13 (3), 533-553, 2013
1012013
Empathy and emotional contagion as a link between recognized and felt emotions in music listening
H Egermann, S McAdams
Music Perception: An Interdisciplinary Journal 31 (2), 139-156, 2013
842013
Music Induces Universal Emotion-Related Psychophysiological Responses: Comparing Canadian Listeners To Congolese Pygmies
H Egermann, N Fernando, L Chuen, S McAdams
Frontiers in Psychology 5, 1341, 2015
652015
Does music listening in a social context alter experience? A physiological and psychological perspective on emotion
H Egermann, ME Sutherland, O Grewe, F Nagel, R Kopiez, E Altenmüller
Musicae Scientiae 15 (3), 307-323, 2011
64*2011
Is there an effect of subliminal messages in music on choice behavior?
H Egermann, R Kopiez, C Reuter
Journal of Articles in Support of the Null Hypothesis 4 (2), 2006
382006
Social Feedback Influences Musically Induced Emotions
H Egermann, O Grewe, R Kopiez, E Altenmullera
The Neurosciences and Music III: Disorders and Plasticity 1169, 346, 2009
322009
Continuous measurement of musically-induced emotion: A web experiment
H Egermann, F Nagel, E Altenmüller, R Kopiez
International Journal of Internet Science 4 (1), 4-20, 2009
262009
The Influence of Social Situations on Music Listening
ME Sutherland, O Grewe, H Egermann, F Nagel, R Kopiez, ...
The Neurosciences and Music III: Disorders and Plasticity 1169, 363, 2009
232009
The influence of social normative and informational feedback on musically induced emotions in an online music listening setting.
H Egermann, R Kopiez, E Altenmüller
Psychomusicology: Music, Mind, and Brain 23 (1), 21, 2013
212013
The production and perception of emotionally expressive walking sounds: Similarities between musical performance and everyday motor activity
BL Giordano, H Egermann, R Bresin
PloS one 9 (12), e115587, 2014
172014
Musical Instruments in the 21st Century
T Bovermann, A de Campo, H Egermann, SI Hardjowirogo, S Weinzierl
Springer, 2017
112017
3DMIN—Challenges and Interventions in Design, Development and Dissemination of New Musical Instruments
T Bovermann, H Egermann, A Hinrichsen, DHM Lopes, A de Campo, ...
Proceedings of the 40th International Computer Music Conference, 2014
82014
From motion to emotion: accelerometer data predict subjective experience of music
M Irrgang, H Egermann
PloS one 11 (7), e0154360, 2016
52016
Cross-Cultural Emotional Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies
H Egermann, N Fernando, L Chuen, S McAdams
Abstracts of the 3rd International Conference on Music & Emotion, Jyväskylä …, 2013
52013
Musical influences Listeners’ Emotion–A Review on Evidence From Psychological and Physiological Research
H Egermann
Jahrbuch Musiktherapie 5, 35, 2009
52009
Gesture-sound causality from the audience’s perspective: Investigating the aesthetic experience of performances with digital musical instruments.
G Emerson, H Egermann
Psychology of Aesthetics, Creativity, and the Arts 12 (1), 96, 2018
42018
Gesture-sound causality from the audience’s perspective: Investigating the influence of mapping perceptibility on the aesthetic perception of new digital musical instruments
G Emerson, H Egermann
Psychology of Aesthetics, Creativity and the Arts, 2017
42017
Sound, materiality and embodiment challenges for the concept of ‘musical expertise’in the age of digital mediatization
S Lepa, AK Hoklas, H Egermann, S Weinzierl
Convergence 21 (3), 294-300, 2015
42015
Predicting musical meaning in audio branding scenarios
M Herzog, S Lepa, J Steffens, A Schoenrock, HW Egermann
Proceedings of the 25th Anniversary Conference of the European Society for …, 2017
32017
Development and Evaluation of an Interface with Four-Finger Pitch Selection
H von Coler, G Treindl, H Egermann, S Weinzierl
Audio Engineering Society Convention 142, 2017
32017
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