Richard Parncutt
Richard Parncutt
Professor of Systematic Musicology, University of Graz, Austria
Verified email at uni-graz.at - Homepage
TitleCited byYear
A perceptual model of pulse salience and metrical accent in musical rhythms
R Parncutt
Music Perception: An Interdisciplinary Journal 11 (4), 409-464, 1994
6071994
Harmony: A psychoacoustical approach
R Parncutt
Springer Science & Business Media, 2012
5302012
The science and psychology of music performance: Creative strategies for teaching and learning
R Parncutt, G McPherson
Oxford University Press, 2002
3642002
Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training
E Bigand, R Parncutt, F Lerdahl
Perception & Psychophysics 58 (1), 125-141, 1996
2711996
Perceiving musical tension in long chord sequences
E Bigand, R Parncutt
Psychological Research 62 (4), 237-254, 1999
1481999
An improved model of tonality perception incorporating pitch salience and echoic memory.
D Huron, R Parncutt
Psychomusicology: A Journal of Research in Music Cognition 12 (2), 154, 1993
1371993
Revision of Terhardt's psychoacoustical model of the root (s) of a musical chord
R Parncutt
Music Perception: An Interdisciplinary Journal 6 (1), 65-93, 1988
1351988
Prenatal development.
R Parncutt
Oxford University Press, 2006
1042006
An ergonomic model of keyboard fingering for melodic fragments
R Parncutt, JA Sloboda, EF Clarke, M Raekallio, P Desain
Music Perception: An Interdisciplinary Journal 14 (4), 341-382, 1997
1021997
Structural communication
A Friberg, GU Battel
The science and psychology of music performance: Creative strategies for …, 2002
952002
Systematic musicology and the history and future of western musical scholarship
R Parncutt
Journal of interdisciplinary music studies 1 (1), 1-32, 2007
812007
Determinants of finger choice in piano sight-reading.
JA Sloboda, EF Clarke, R Parncutt, M Raekallio
Journal of experimental psychology: Human perception and performance 24 (1), 185, 1998
731998
The perception of pulse in musical rhythm
R Parncutt
Action and Perception in Rhythm and Music 55, 127-138, 1987
731987
Piano technique and fingering in the eighteenth and nineteenth centuries: Bringing a forgotten method back to life
M Gellrich, R Parncutt
British Journal of Music Education 15 (1), 5-23, 1998
571998
Accents and expression in piano performance
R Parncutt
Perspektiven und Methoden einer Systemischen Musikwissenschaft, 163-185, 2003
532003
Absolute pitch
R Parncutt, DJ Levitin
The new Grove dictionary of music and musicians, 37-38, 2001
532001
Size and synchronization of auditory cortex promotes musical, literacy, and attentional skills in children
A Seither-Preisler, R Parncutt, P Schneider
Journal of Neuroscience 34 (33), 10937-10949, 2014
502014
Prenatal and infant conditioning, the mother schema, and the origins of music and religion
R Parncutt
Musicae Scientiae 13 (2_suppl), 119-150, 2009
502009
Template‐matching models of musical pitch and rhythm perception
R Parncutt
Journal of New Music Research 23 (2), 145-167, 1994
481994
Tone profiles following short chord progressions: Top-down or bottom-up?
R Parncutt, AS Bregman
Music Perception: An Interdisciplinary Journal 18 (1), 25-57, 2000
462000
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Articles 1–20