| Preliminaries to a psychological model of musical groove O Senn, D Rose, T Bechtold, L Kilchenmann, F Hoesl, R Jerjen, ... Frontiers in Psychology 10, 1228, 2019 | 46 | 2019 |
| Experience of groove questionnaire: Instrument development and initial validation O Senn, T Bechtold, D Rose, GS Câmara, N Düvel, R Jerjen, ... Music perception: an interdisciplinary journal 38 (1), 46-65, 2020 | 38 | 2020 |
| Reflections on methods and methodology in music iconography A Baldassarre Music in art, 33-38, 2000 | 19 | 2000 |
| Music Iconography: What is it all about? Some remarks and considerations with a selected Bibliography A Baldassarre ICTUS-Periódico do PPGMUS-UFBA| ICTUS Music Journal 9 (2), 2008 | 17 | 2008 |
| An SEM approach to validating the psychological model of musical groove. O Senn, T Bechtold, F Hoesl, R Jerjen, L Kilchenmann, D Rose, ... Journal of Experimental Psychology: Human Perception and Performance 49 (3), 290, 2023 | 10 | 2023 |
| The Politics of Images Considerations on French Nineteenth-Century Orientalist Art (ca. 1800–ca. 1880) as a Paradigm of Narration and Translation A Baldassarre Narrated Communities–Narrated Realities, 185-247, 2015 | 10 | 2015 |
| The Iconographic Schubert: The Reception of Schubert in the Mirror of His Time A Baldassarre RIdIM/RCMI Newsletter 22 (2), 39-52, 1997 | 8 | 1997 |
| Consumers on critique: a survey of classical music listeners’ engagement with professional music reviews E Alessandri, D Rose, O Senn, K Szamatulski, A Baldassarre, ... Music & Science 3, 2059204320931337, 2020 | 7 | 2020 |
| Quo vadis music iconography? The Repertoire Internatonal d'Iconographie Musicale as a case study A Baldassarre Fontes artis musicae, 440-452, 2007 | 7 | 2007 |
| The Jester of musicology, or the place and function of music iconography in institutions of higher education A Baldassarre Music in Art, 9-35, 2010 | 6 | 2010 |
| Die" Lira da braccio" im humanistischen Kontext Italiens A Baldassarre Music in Art, 5-28, 1999 | 6 | 1999 |
| The musicalization of the visual arts considerations of 20th century music iconography research A Baldassarre Musique, images, instruments, 142-169, 2008 | 4 | 2008 |
| “AMONG THE BEST STRIVING TODAY, THERE ARE SECRET RELATIONSHIPS”: THE KANDINSKIJ–SCHOENBERG CONNECTION RECONSIDERED A Baldassarre Music in Art 29 (1/2), 234-255, 2004 | 4 | 2004 |
| Music, Painting, and Domestic Life: Hortense de Beauharnais in Arenenberg A Baldassarre Music in Art, 49-61, 1998 | 4 | 1998 |
| Being Engaged, Not Informed: French “Orientalists” Revisited A Baldassarre Music in Art 38 (1-2), 63-87, 2013 | 2 | 2013 |
| 'They play more like angels than men'The Quatuor de Flonzaley and considerations on its performance style A Baldassarre New Sound-International Journal of Music, 70-100, 2010 | 2 | 2010 |
| Musik im Exil: die Schweiz und das Ausland 1918-1945 C Walton, A Baldassarre Peter Lang, 2005 | 2 | 2005 |
| The critic’s voice: On the role and function of criticism of classical music recordings E Alessandri, A Baldassarre, VJ Williamson Frontiers in Psychology 13, 925394, 2022 | 1 | 2022 |
| Musikkritik in Zeiten der Digitalisierung A Baldassarre, E Alessandri Musikjournalismus: Radio–Fernsehen–Print–Online, 35-41, 2022 | 1 | 2022 |
| ENVISIONED HISTORY OR" HIS STORY": WARFARE, MUSICAL CULTURE, AND IMAGINATION IN THE LUCERNE CHRONICLE (1509-13) BY DIEBOLD SCHILLING THE YOUNGER. A BALDASSARRE Music in Art: International Journal for Music Iconography 41, 2016 | 1 | 2016 |
