| Do VR and AR versions of an immersive cultural experience engender different user experiences? I Verhulst, A Woods, L Whittaker, J Bennett, P Dalton Computers in Human Behavior 125, 106951, 2021 | 76 | 2021 |
| Refining the Nation's ‘New Gold’: Music, Youth Development and Neoliberalism in South Africa L Whittaker Culture, Theory and Critique 55 (2), 233-256, 2014 | 16 | 2014 |
| The story of immersive users J Bennett, P Dalton, O Goriunova, C Preece, L Whittaker, I Verhulst, ... StoryFutures Audience Insight Report, 2021 | 13 | 2021 |
| Choose your own future: the sociotechnical imaginaries of virtual reality C Preece, L Whittaker, S Janes Journal of Marketing Management 38 (15-16), 1777-1795, 2022 | 11 | 2022 |
| Towards glitch pedagogy C Preece, L Whittaker Journal of Marketing Management 39 (1-2), 68-91, 2023 | 5 | 2023 |
| No-Go zones and comfortable places: musical challenges to the displacements of HIV and AIDS in South Africa L Whittaker Soundscapes of Wellbeing in Popular Music, 237-256, 2016 | 4 | 2016 |
| Onboarding and offboarding in virtual reality: A user-centred framework for audience experience across genres and spaces L Whittaker Convergence, 13548565231187329, 2023 | 3 | 2023 |
| The Impact of an Audience on the Appeal of Virtual Reality AT Woods, L Whittaker, I Verhulst, J Bennett, P Dalton Frontiers in Virtual Reality 2, 171, 2022 | 2 | 2022 |
| Beyond" Mzansi Golden Economy": inequality, wellbeing, and the political economy of music as youth development in South Africa L Whittaker Royal Holloway, University of London, 2015 | 2 | 2015 |
| Rehearsing Values: Processes of Distinction in the Field Band Foundation of South Africa L Whittaker The Routledge Companion to the Study of Local Musicking, 251-263, 2018 | 1 | 2018 |
| War Dance L Whittaker Ethnomusicology Forum 19 (1), 126-128, 2010 | 1 | 2010 |
| Story Starter: A Tool for Controlling Multiple Virtual Reality Headsets with No Active Internet Connection AT Woods, L Whittaker, N Smith, R Ispas, J Moore, RD Morgan, J Bennett Virtual Worlds 3 (2), 171-183, 2024 | | 2024 |
| Multiple embodiment relations: sense-making in dissociative experiences C Preece, V Rodner, L Whittaker Consumption Markets & Culture, 1-25, 2023 | | 2023 |
| The unbounded self: Shifting body boundaries in spirit possession and Virtual Reality V Rodner, C Preece, L Whittaker Interpretive Consumer Research Workshop, 2022 | | 2022 |
| Congregational song and musical ‘accommodation’in a South African Lutheran parish L Whittaker Making Congregational Music Local in Christian Communities Worldwide, 215-231, 2018 | | 2018 |
| Performing and transforming “the second life”: Music and HIV/AIDS activism in South Africa LK Whittaker | | 2010 |
| “The second life”: Music and the intersubjective construction of the HIV-positive identity in South Africa L Whittaker | | |
Andy WoodsRoyal Holloway, University of LondonBestätigte E-Mail-Adresse bei rhul.ac.uk
