Alex McLean
Alex McLean
Research Institute, Deutsches Museum Munich
Bestätigte E-Mail-Adresse bei deutsches-museum.de - Startseite
Titel
Zitiert von
Zitiert von
Jahr
Live coding in laptop performance
N Collins, A McLean, J Rohrhuber, A Ward
Organised sound 8 (3), 321-330, 2003
3902003
Speaking code: Coding as aesthetic and political expression
G Cox, CA McLean
MIT Press, 2013
152*2013
Live algorithm programming and a temporary organisation for its promotion
A Ward, J Rohrhuber, F Olofsson, A McLean, D Griffiths, N Collins, ...
Proceedings of the README Software Art Conference 289, 290, 2004
852004
Visualisation of live code
A McLean, D Griffiths, N Collins, G Wiggins
Electronic Visualisation and the Arts (EVA 2010), 26-30, 2010
812010
Algorave: Live performance of algorithmic electronic dance music
N Collins, A McLean
Proceedings of the International Conference on New Interfaces for Musical …, 2014
662014
Making programming languages to dance to: live coding with tidal
A McLean
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art …, 2014
642014
Artist-programmers and programming languages for the arts
CA McLean
Goldsmiths, University of London, 2011
572011
The aesthetics of generative code
G Cox, A McLean, A Ward
Proc. of Generative Art, 2001
542001
Tidal–pattern language for the live coding of music
A McLean, G Wiggins
Proceedings of the 7th sound and music computing conference, 2010
532010
The machine learning algorithm as creative musical tool
R Fiebrink, B Caramiaux
arXiv preprint arXiv:1611.00379, 2016
522016
The Oxford handbook of algorithmic music
A McLean, RT Dean
Oxford University Press, 2018
442018
Collaboration and learning through live coding (Dagstuhl Seminar 13382)
A Blackwell, A McLean, J Noble, J Rohrhuber
Dagstuhl Reports 3 (9), 2014
402014
Bricolage Programming in the Creative Arts.
A McLean, GA Wiggins
PPIG, 18, 2010
342010
Live music-making: A rich open task requires a rich open interface
D Stowell, A McLean
Music and human-computer interaction, 139-152, 2013
302013
Hacking Perl in nightclubs
A McLean
perl. com, 2004
302004
Unifying conceptual spaces: Concept formation in musical creative systems
J Forth, GA Wiggins, A McLean
Minds and Machines 20 (4), 503-532, 2010
292010
Texture: Visual notation for live coding of pattern
A McLean, GA Wiggins
ICMC, 2011
252011
Coding praxis: Reconsidering the aesthetics of code
G Cox, A McLean, A Ward
readme–Software Arts and Cultures, Edition, 160-175, 2004
22*2004
Live Coding Towards Computational Creativity.
A McLean, GA Wiggins
ICCC, 175-179, 2010
212010
Musical creativity on the conceptual level
J Forth, A McLean, G Wiggins
Fifth International Joint Workshop on Computational Creativity, Ciudad …, 2008
182008
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