Phenomenological Approaches in the History of Ethnomusicology HM Berger, D VanderHamm, F Riedel | 37 | 2021 |
“I'm Just an Armless Guitarist”: Tony Melendez, Disability, and the Social Construction of Virtuosity D VanderHamm Journal of the Society for American Music 14 (3), 280-307, 2020 | 11 | 2020 |
The Social Construction of Virtuosity: Musical Labor and the Valuation of Skill in the Age of Electronic Media D VanderHamm The University of North Carolina at Chapel Hill, 2017 | 8 | 2017 |
Preserving Heritage, Fostering Change: Accidental Archives of Country Music and Hip-Hop M Katz, D VanderHamm The Public Historian 37 (4), 32-46, 2015 | 7 | 2015 |
Simple Shaker Folk: Appropriation, American Identity, and Appalachian Spring D Vanderhamm American Music 36 (4), 507-526, 2018 | 4 | 2018 |
Virtuosity/virtuoso D VanderHamm Oxford University Press, 2018 | 3 | 2018 |
The Oxford handbook of the phenomenology of music cultures HM Berger, F Riedel, D VanderHamm Oxford University Press, 2023 | 2 | 2023 |
The listening moment: Ludic wit in Haydn's string quartets D VanderHamm The University of North Carolina at Chapel Hill, 2013 | 2 | 2013 |
Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill D VanderHamm | 1 | 2021 |
and Friedlind Riedel HM Berger, D VanderHamm The Oxford Handbook of the Phenomenology of Music Cultures, 1, 2023 | | 2023 |
“All Those Homes Beyond the Microphone”: Advertising, Domesticity, and Early Country Music Variety Programs in the 1930s D VanderHamm | | 2021 |
All Those Homes Beyond the Microphone D VanderHamm The Oxford Handbook of Music and Advertising, 336, 2021 | | 2021 |
The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. By Timothy D. Taylor. Chicago: University of Chicago Press, 2012. D VanderHamm Journal of the Society for American Music 10 (2), 226-228, 2016 | | 2016 |
Virtuosity, Obviously D VanderHamm The Oxford Handbook of the Phenomenology of Music Cultures, 0 | | |