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David VanderHamm
David VanderHamm
Assistant Professor of Humanities
Bestätigte E-Mail-Adresse bei jccc.edu
Titel
Zitiert von
Zitiert von
Jahr
Phenomenological Approaches in the History of Ethnomusicology
HM Berger, D VanderHamm, F Riedel
372021
“I'm Just an Armless Guitarist”: Tony Melendez, Disability, and the Social Construction of Virtuosity
D VanderHamm
Journal of the Society for American Music 14 (3), 280-307, 2020
112020
The Social Construction of Virtuosity: Musical Labor and the Valuation of Skill in the Age of Electronic Media
D VanderHamm
The University of North Carolina at Chapel Hill, 2017
82017
Preserving Heritage, Fostering Change: Accidental Archives of Country Music and Hip-Hop
M Katz, D VanderHamm
The Public Historian 37 (4), 32-46, 2015
72015
Simple Shaker Folk: Appropriation, American Identity, and Appalachian Spring
D Vanderhamm
American Music 36 (4), 507-526, 2018
42018
Virtuosity/virtuoso
D VanderHamm
Oxford University Press, 2018
32018
The Oxford handbook of the phenomenology of music cultures
HM Berger, F Riedel, D VanderHamm
Oxford University Press, 2023
22023
The listening moment: Ludic wit in Haydn's string quartets
D VanderHamm
The University of North Carolina at Chapel Hill, 2013
22013
Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill
D VanderHamm
12021
and Friedlind Riedel
HM Berger, D VanderHamm
The Oxford Handbook of the Phenomenology of Music Cultures, 1, 2023
2023
“All Those Homes Beyond the Microphone”: Advertising, Domesticity, and Early Country Music Variety Programs in the 1930s
D VanderHamm
2021
All Those Homes Beyond the Microphone
D VanderHamm
The Oxford Handbook of Music and Advertising, 336, 2021
2021
The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. By Timothy D. Taylor. Chicago: University of Chicago Press, 2012.
D VanderHamm
Journal of the Society for American Music 10 (2), 226-228, 2016
2016
Virtuosity, Obviously
D VanderHamm
The Oxford Handbook of the Phenomenology of Music Cultures, 0
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