| Metal, rock, and jazz: Perception and the phenomenology of musical experience HM Berger Wesleyan University Press, 1999 | 645 | 1999 |
| Metal rules the globe: Heavy metal music around the world J Wallach, HM Berger, PD Greene Duke University Press, 2011 | 270* | 2011 |
| Stance: ideas about emotion, style, and meaning for the study of expressive culture HM Berger Wesleyan University Press, 2010 | 190* | 2010 |
| Sixties rock: Garage, psychedelic, and other satisfactions HM Berger LABOUR-LE TRAVAIL, 277-279, 1999 | 173* | 1999 |
| Identity and Everyday Life: Essays in the Study of Folklore, Music and Popular Culture HM Berger, GP Del Negro Wesleyan University Press, 2004 | 166* | 2004 |
| Death metal tonality and the act of listening HM Berger Popular Music 18 (2), 161-178, 1999 | 122 | 1999 |
| ‘Heaviness’ in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time HM Berger, C Fales Wired for Sound: Engineering and Technologies in Sonic Cultures, 181-197, 2005 | 121 | 2005 |
| "Heaviness" in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time HM Berger, C Fales Wired for Sound Engineering and Technologies in Sonic Cultures, 181-197, 2005 | 121 | 2005 |
| Global pop, local language HM Berger, MT Carroll Univ. Press of Mississippi, 2003 | 120 | 2003 |
| Affective overdrive, scene dynamics, and identity in the global metal scene J Wallach, HM Berger, PD Greene Metal rules the globe: Heavy metal music around the world, 3-33, 2011 | 107 | 2011 |
| Bauman's verbal art and the social organization of attention: The role of reflexivity in the aesthetics of performance HM Berger, G Del Negro Journal of American Folklore 115 (455), 62-91, 2002 | 92 | 2002 |
| The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer HM Berger Phenomenological Approaches to Popular Culture, 121-147, 2000 | 81 | 2000 |
| The practice of perception: Multi-functionality and time in the musical experiences of a heavy metal drummer HM Berger Ethnomusicology 41 (3), 464-488, 1997 | 81 | 1997 |
| Phenomenology and the ethnography of popular music: ethnomusicology at the juncture of cultural studies and folklore HM Berger Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology, 62-75, 2008 | 79 | 2008 |
| Introduction: The politics and aesthetics of language choice and dialect in popular music HM Berger, MT Carroll Global pop, local language, ix-xxvi, 2003 | 64 | 2003 |
| Phenomenological Approaches in the History of Ethnomusicology HM Berger Oxford Handbooks Online, 2015 | 37* | 2015 |
| Theory for Ethnomusicology: Histories, Conversations, Insights HM Berger, RM Stone Routledge, 2019 | 25 | 2019 |
| Theory for Ethnomusicology: Histories, Conversations, Insights HM Berger, RM Stone Routledge, 2019 | 25 | 2019 |
| Horizons of melody and the problem of the self HM Berger HM Berger & G. Del Negro, Identity in Everyday Life, 43-88, 2004 | 23 | 2004 |
| Character divination and kinetic sculpture in the central Italian passeggiata (ritual promenade): interpretive frameworks and expressive practices from a body-centered perspective G Del Negro, HM Berger Journal of American Folklore 114 (451), 5-19, 2001 | 21 | 2001 |
Jeremy WallachProfessor of Popular Culture, Bowling Green State UniversityBestätigte E-Mail-Adresse bei bgsu.edu
