| Production and perception of legato, portato, and staccato articulation in saxophone playing A Hofmann, W Goebl Frontiers in psychology 5, 690, 2014 | 22 | 2014 |
| Physics-based analysis of articulatory player actions in single-reed woodwind instruments V Chatziioannou, A Hofmann Acta Acustica united with Acustica 101 (2), 292-299, 2015 | 19 | 2015 |
| The tight-interlocked rhythm section: Production and perception of synchronisation in jazz trio performance A Hofmann, BC Wesolowski, W Goebl Journal of new music research 46 (4), 329-341, 2017 | 16 | 2017 |
| Analysis of tonguing and blowing actions during clarinet performance M Pàmies-Vilà, A Hofmann, V Chatziioannou Frontiers in psychology 9, 617, 2018 | 13 | 2018 |
| Measurement setup for articulatory transient differences in woodwind performance A Hofmann, V Chatziioannou, M Weilguni, W Goebl, W Kausel Proceedings of Meetings on Acoustics ICA2013 19 (1), 035060, 2013 | 12 | 2013 |
| Finger forces in clarinet playing A Hofmann, W Goebl Frontiers in psychology 7, 1140, 2016 | 11 | 2016 |
| Strain to displacement calibration of single-reeds using a high-speed camera M Pàmies-Vilà, A Hofmann, V Chatziioannou Proceedings of the international symposium on music acoustics, 5-8, 2017 | 9 | 2017 |
| The influence of tonguing on tone production with single-reed instruments A Hofmann, V Chatziioannou, W Kausel, W Goebl, M Weilguni, ... 5th Congress of the Alps Adria Acoustics Association (Zadar, Croatia), 2012 | 9 | 2012 |
| Parameter optimisation of a viscothermal time-domain model for wind instruments S Schmutzhard, V Chatziioannou, A Hofmann Proceedings of the 2017 International Symposium on Musical Acoustics, 27-30, 2017 | 7 | 2017 |
| There’s more to groove than bass in electronic dance music: Why some people won’t dance to techno BC Wesolowski, A Hofmann PloS one 11 (10), e0163938, 2016 | 7 | 2016 |
| Measuring tongue and finger coordination in saxophone performance A Hofmann, W Goebl, M Weilguni, A Mayer, W Smetana 12th International Conference on Music Perception and Cognition (ICMPC) and …, 2012 | 7 | 2012 |
| Investigating clarinet articulation using a physical model and an artificial blowing machine V Chatziioannou, S Schmutzhard, M Pàmies-Vilà, A Hofmann Acta Acustica united with Acustica 105 (4), 682-694, 2019 | 6 | 2019 |
| Evaluating a wavelet-based analysis of sensor reed signals for performance research A Hofmann, W Goebl, M Weilguni Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 13, 398-402, 2013 | 5 | 2013 |
| Modeling articulation techniques in single-reed woodwind instruments V Chatziioannou, A Hofmann Proceedings of Meetings on Acoustics ICA2013 19 (1), 035059, 2013 | 5 | 2013 |
| An artificial blowing machine to investigate single-reed woodwind instruments under controlled articulation conditions V Chatziioannou, A Hofmann, M Pàmies-Vilà Proceedings of Meetings on Acoustics 174ASA 31 (1), 035003, 2017 | 4 | 2017 |
| Investigating vocal tract modifications during saxophone performance M Pàmies-Vilà, G Scavone, A Hofmann, V Chatziioannou Proceedings of Meetings on Acoustics 174ASA 31 (1), 035002, 2017 | 3 | 2017 |
| Development of Fibre Polymer Sensor Reeds for Saxophone and Clarinet. A Hofmann, V Chatziioannou, A Mayer, H Hartmann NIME, 65-68, 2016 | 3 | 2016 |
| Towards a live-electronic setup with a sensor-reed saxophone and csound A Hofmann, A Mayer, W Goebl Linux Audio Conf, 153-156, 2013 | 3 | 2013 |
| Csound - Floss Manual J Heintz, A Hofmann, I McCurdy | 3 | 2011 |
| Inverse modelling of clarinet performance V Chatziioannou, S Schmutzhard, A Hofmann, M Pàmies-Vilà Proc. 26th International Congress on Sound and Vibration (ICSV26), Montreal, 2019 | 2 | 2019 |
Vasileios ChatziioannouDepartment of Music Acoustics, University of Music and Performing Arts ViennaBestätigte E-Mail-Adresse bei mdw.ac.at
