Hofmann, Alex
Hofmann, Alex
Institute of Music Acoustics, University of Music and Performing Arts Vienna, Austria
Bestätigte E-Mail-Adresse bei mdw.ac.at - Startseite
TitelZitiert vonJahr
Production and perception of legato, portato, and staccato articulation in saxophone playing
A Hofmann, W Goebl
Frontiers in psychology 5, 690, 2014
212014
The tight-interlocked rhythm section: Production and perception of synchronisation in jazz trio performance
A Hofmann, BC Wesolowski, W Goebl
Journal of new music research 46 (4), 329-341, 2017
162017
Physics-based analysis of articulatory player actions in single-reed woodwind instruments
V Chatziioannou, A Hofmann
Acta Acustica united with Acustica 101 (2), 292-299, 2015
162015
Measurement setup for articulatory transient differences in woodwind performance
A Hofmann, V Chatziioannou, M Weilguni, W Goebl, W Kausel
Proceedings of Meetings on Acoustics ICA2013 19 (1), 035060, 2013
112013
Finger forces in clarinet playing
A Hofmann, W Goebl
Frontiers in psychology 7, 1140, 2016
92016
Analysis of tonguing and blowing actions during clarinet performance
M Pàmies-Vilà, A Hofmann, V Chatziioannou
Frontiers in psychology 9, 2018
82018
The influence of tonguing on tone production with single-reed instruments
A Hofmann, V Chatziioannou, W Kausel, W Goebl, M Weilguni, ...
5th Congress of the Alps Adria Acoustics Association (Zadar, Croatia), 2012
82012
Strain to displacement calibration of single-reeds using a high-speed camera
M Pàmies-Vilà, A Hofmann, V Chatziioannou
Proc. Int. Symp. Musical Acoustics, Montreal, Canada, 5-8, 2017
72017
There’s more to groove than bass in electronic dance music: Why some people won’t dance to techno
BC Wesolowski, A Hofmann
PloS one 11 (10), e0163938, 2016
62016
Measuring tongue and finger coordination in saxophone performance
A Hofmann, W Goebl, M Weilguni, A Mayer, W Smetana
12th International Conference on Music Perception and Cognition (ICMPC) and …, 2012
62012
Parameter Optimisation of a Viscothermal Time-Domain Model for Wind Instruments
S Schmutzhard, V Chatziioannou, A Hofmann
6
Evaluating a wavelet-based analysis of sensor reed signals for performance research
A Hofmann, W Goebl, M Weilguni
Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 13, 398-402, 2013
52013
Modeling articulation techniques in single-reed woodwind instruments
V Chatziioannou, A Hofmann
Proceedings of Meetings on Acoustics ICA2013 19 (1), 035059, 2013
52013
Development of fibre polymer sensor reeds for saxophone and clarinet
A Hofmann, V Chatziioannou, A Mayer, H Hartmann
Proc. New Interfaces for Musical Expression (NIME), 65-68, 2016
32016
Towards a live-electronic setup with a sensor-reed saxophone and csound
A Hofmann, A Mayer, W Goebl
Linux Audio Conf, 153-156, 2013
32013
Csound - Floss Manual
J Heintz, A Hofmann, I McCurdy
32011
Investigating clarinet articulation using a physical model and an artificial blowing machine
V Chatziioannou, S Schmutzhard, M Pàmies-Vilà, A Hofmann
Acta Acustica united with Acustica 105 (4), 682-694, 2019
22019
Investigating vocal tract modifications during saxophone performance
M Pàmies-Vilà, G Scavone, A Hofmann, V Chatziioannou
Proceedings of Meetings on Acoustics 174ASA 31 (1), 035002, 2017
22017
Csound instruments on stage
A Hofmann, B Waerstad, K Koch
Proceedings of the International Conference on New Interfaces for Musical …, 0
2
Analysis of reed vibration and mouthpiece pressure in contemporary bass clarinet playing techniques
P Mallinger, M Pàmies-Vilà, V Chatziioannou, A Hofmann
Proc. Int. Symp. Musical Acoustics, 2019
12019
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