Folgen
Joanne Armitage
Titel
Zitiert von
Zitiert von
Jahr
A hybrid swamp lantern.
J Armitage, B Phillips
Plantsman 10 (3), 155-157, 2011
92011
Feeling sound: Exploring a haptic-audio relationship
J Armitage, K Ng
International Symposium on Computer Music Multidisciplinary Research, 146-152, 2015
82015
The colour of music: Real-time music visualisation with synaesthetic sound-colour mapping
K Ng, J Armitage, A McLean
Electronic Visualisation and the Arts (EVA 2014), 17-20, 2014
82014
mConduct: Gesture transmission and reconstruction for distributed performance
P Bakanas, J Armitage, J Balmer, P Halpin, K Hudspeth, K Ng
International conference on information technologies for performing arts …, 2012
82012
mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture
J Armitage, K Ng
Electronic Visualisation in Arts and Culture, 153-165, 2013
72013
SPACES TO FAIL IN: NEGOTIATING GENDER, COMMUNITY AND TECHNOLOGY IN ALGORAVE.
J Armitage
Dancecult: Journal of Electronic Dance Music Culture 10 (1), 2018
62018
Augmented opera performance
JL Armitage, K Ng
International Conference on Information Technologies for Performing Arts …, 2013
62013
Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding
J Armitage, H Thornham
Feminist Review 127 (1), 90-106, 2021
52021
Tactile Composition: Configurations and communications for a musical haptic chair.
J Armitage, K Ng
ICMC, 2014
42014
‘Unheard’Sounds
J Armitage, K Ng
Electronic Visualisation and the Arts (EVA 2015), 1-2, 2015
22015
Spaces to Fail in
J Armitage
Dancecult, 2018
12018
Configuring a haptic interface for music performance
J Armitage, K Ng
Electronic Visualisation and the Arts (EVA 2015), 41-45, 2015
12015
Multimodal Music Composition
J Armitage, N Kia
Electronic Visualisation and the Arts (EVA 2013), 40-46, 2013
12013
Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding
H Thornham, J Armitage
Feminist Review 127 (1), 2021
2021
Artists Statements III
J Armitage, A Skuse, A Goh
array., 76-89, 2017
2017
SEEING SOUND: VISUALISATIONS OF RHYTHM AND SOUNDFOR A MUSICAL CHAIR
KC Ng, J Armitage, M Benatan, L Johnson, D Moore, B Bretherton, ...
Electronic Imaging & the Visual Arts, 37-38, 2015
2015
Eversmann, PGF, 81 Felicetti, A., 131 Fresa, A., 58 Gallo, F., 89 Garra, R., 175
P Ács, G Adembri, N Aloia, W Allasia, A Antonielli, J Armitage, S Atkinson, ...
SEEING SOUND: VISUALISATIONS OF RHYTHM AND SOUND FOR A MUSICAL CHAIR
KC Ng, J Armitage, M Benatan, L Johnson, D Moore, B Bretherton, ...
Proceedings of the First International Conference on Live Coding
A McLean, T Magnusson, K Ng, S Knotts, J Armitage
ICSRiM, University of Leeds, 0
Interactive Musical Chair: Seated percussion with real-time visualisations
K Ng, J Armitage, M Benatan, L Johnson, D Moore, I Symonds
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